Best New Poets 2015: “Former Future King” Hysteria (Sable Books): “In the Surgical Theater” and “Symbiotic Quixotic” (forthcoming)
Journals and Magazines
2017 The Arkansas International:“Incarnate” (forthcoming) Bateau: “One Day My Jeans Will Be Vintage” (forthcoming) Forklift, Ohio:“Forecast” (forthcoming) Harpur Palate: “Live Young” and “Living Will”(forthcoming) The Pinch: “Damage Assessment” and “Anniversary” (forthcoming) Poetry Northwest:“Small Data” (forthcoming) Bennington Review:“Fight-or-Flight Is an Imperfect Theory” and “Ancestral Home Tour,” Summer 2017 Sidereal Magazine: “Lullaby After Another Loss,”May 2017 Matter: “Mad in America” and “Continuity of the System,”April 2017 Bodega: “I’m Having a Sally Field Moment,” April 2017 Terrain.org: “Elegy in January,” March 2017 Queen Mob's Teahouse: “Meditation While Operating a Motor Vehicle,” “Regularly Scheduled Programming,” and “Fear Is a Belief System,” March 2017 Heavy Feather Review: “Regime Change,” “Call to Action,” and “Coalition of the Unwilling,” February 2017 Reality Beach:“Love Note,” “The New Urgency,” “Outcome Unclear,” and “Plausible Rapture,” January 2017 Yalobusha Review: “Major Foreign Policy Speech,” January 2017 Cider Press Review: “We Uncertain Animals,” January 2017 Glass: A Journal of Poetry: “The Point at Which the Laws of Physics Break Down,” January 2017
2016 DIAGRAM: “Fast Catastrophe,” December 2016 Fugue: “Against Adaptation,” Fall 2016 Prelude: “The Evidence,” Fall 2016 Poetry City, USA:“So Long,” Fall 2016 Day One:“The Internet Won’t Let Me Forget My First Boyfriend,” October 19, 2016 Flag + Void: “Young People Today”and “On the Occasion of My Survival,” September 2016 Verse Daily: “The Possibility of Refusing All Else,” August 16, 2016 Permafrost: “Fundamentals of Home Defense,” August 2016 Conduit: “Soft Target,”Summer 2016 The Collapsar: “Closing Argument” and “Proscenium Arch,” June 2016 Pittsburgh Poetry Review: “Typography of a Midwestern Suburb” and “While You Were Busy Lip-Syncing Power Ballads,”June 2016 Redivider: “Studies Have Shown,” Spring 2016 Sixth Finch: “Give,” May 2016 HOUND: “Prophet in the Age of Disbelief,”April 2016 Southern Humanities Review: “In the Surgical Theater,” Spring 2016 Crab Creek Review: “Origin Story,”Spring 2016 HOUSEGUEST: “Kingdom of Quartz” and “A Self-Contained Story,”March 2016 Witness: “The Possibility of Refusing All Else,” March 2016 Hermeneutic Chaos: “Calibrate,” March 2016 (nominated for Best of the Net) Pith:“The Survivalists,” February 2016 Prelude: “Home Front”and “Social Contract Theory,” February 2016 Vinyl Poetry: “Winter Storm Warning,” February 2016
2015 Lunch Ticket: “Pathology,” December 2015 The Awl: “Performing Revolution for a More Luminous World,” November 2015 Slice Magazine: “This Close and No Further” (nominated for a Pushcart Prize) and “A Circle Is Deceived by a Longing for Having,” Fall 2015/Winter 2016 The Adroit Journal: “Apocryphal Memory of the Night We Met,” September 2015 Rogue Agent: “I Am My Careful Projections,” August 2015 Tinderbox Poetry Journal: “Field Guide to Disintegration and Other Methods of Decay,” August 2015 DIALOGIST: “Bruise,” June 2015 Lumen: “Domesticated,” June 2015 Front Porch Journal: “The Patient” and “History of the Present,” April 2015 Radar Poetry: “Museum of Snow Globes” and “Subdivision Idyll,” April 2015 Linebreak: “Initial Descent,” January 2015
2014 The Journal: “Response to a Polite Inquiry About How I’m Doing,” Summer 2014
2012 Kin Poetry Journal: “Socialism with a Human Face,” “The Honeymoon,” and “Utopenec,” October 2012 burntdistrict: “Case History,” “Appointment with a Specialist,” “Aftermath,” and “In Spite of Everything,” Summer 2012
2010 The Collagist: “Outro” and “A Broken Home Stands upon a Fixed Point of Earth,” September 2010
2009 Poet Lore: “Bombing at the Souk al-Ghazl,” Fall/Winter 2009 Coal Hill Review: “Six Days of Snow,” September 2009 Verse Daily: “Purgatory,” web monthly feature, August 2009 42opus: “Purgatory,” June 2009 The Briar Cliff Review: “Cuttings,” 2009 (nominated for a Pushcart Prize)
2007 Poetry East: “Centripetal Force,” “Mother of Loves,” and “Trompe l’Oeil,” Spring 2007
